‘Behemoth!’ Review: Pedro Pascal Is a Classical Cellist Skating Through a Midlife Crisis in Tony Gilroy’s Elevated Bauble of a Music Drama
"Behemoth!" is a classical-musician movie. It’s a midlife-crisis movie. It’s a romantic mystery. It’s Tony Gilroy fiddling around with pure movie form.
"Behemoth!" seems to be making waves in the music drama scene, and for good reason. By centering a classical cellist as the protagonist, played by Pedro Pascal, the film is tapping into a rich cultural vein. Classical music has long been a staple of cinematic storytelling, and the use of cello as a narrative device is particularly intriguing. The instrument's emotional resonance and technical complexity offer a wealth of dramatic possibilities.
The fact that "Behemoth!" is also a midlife-crisis movie and romantic mystery adds layers to the story, suggesting that Tony Gilroy is experimenting with genre-bending. As a screenwriter and director, Gilroy has a reputation for crafting intricate, thought-provoking narratives, and "Behemoth!" appears to be no exception. By combining these elements, Gilroy may be attempting to create a film that not only showcases Pascal's talents but also explores themes of identity, love, and creative expression.
As the music industry continues to evolve, it's exciting to see films like "Behemoth!" pushing the boundaries of storytelling and highlighting the complexities of artistic life. For music enthusiasts, this film could offer a unique glimpse into the world of classical music, while also providing a compelling narrative. To watch next: keep an eye on Pedro Pascal's future projects, as well as Tony Gilroy's upcoming endeavors, to see how they continue to intersect music, drama, and cinematic innovation.
Originally reported by variety.com. MusicNewsletter adds analysis for culture, style & media readers.